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"The sun, space and verdure are the
ancient influences which have fashioned our body and our
spirit. Isolated from their environment, all organisms
perish, some slowly and some quickly, and man is no
exception to this general rule. Our towns have snatched
men from essential conditions, molested them, starved
them, falsified them, embittered them, crushed them even
sterilised them; the third generation to live in great
cities tends to sterility. Fashioned throughout millennia
by the conditions of nature, man cannot with disrupt the
natural order. Shut up in masonry walls and conditioned
to the smell of petrol fumes, men in large towns lead a
cramped and unhappy life, deprived of the essential joys
of life sun, space and verdure". Le
Corbusier on Town planning.
AND in this search of the sun, space
and verdure came up the City Beautiful Chandigarh.
From simply being a city
to rehabilitate refugees, to a babus city,
Chandigarh has passed through many ups and downs. Though
acclaimed as an architectural wonder, the city is often
branded as a concrete jungle or a city of the retired
people, with no cultural life.
When Chandigarh is
referred to as a city that forms a link between nature
and man, it becomes meaningful that the bestower of life
The Woman is placed in the centre of its
macrocosm. No wonder that some prominent women of the
city, who have abundantly lived and experienced the
growth of this city, painted a distinct nostalgic picture
of the citys past and present cultural life
.Chandigarh was a
neat, clean and a healthy city once. But with the kind of
water and electricity problems today, it is fast becoming
like any other Indian city. In fact, the growth of the
city has gone far beyond the original plan and a large
population brings with it its own set of problems,
says Kanta Saroop Krishan, honorary secretary of the
Blood Bank Society, Chandigarh. Moving to Chandigarh in
the 60s, Saroop Krishan joined the Indian National
Theatre as its vice-president, started by late Miss
Doongaji (the then Principal, Home Science College,
Chandigarh).
A city that had more
than an adequate share of breathing space for its
residents, has obviously not been able to maintain its
dignity. Whether it is the social or the cultural aspect,
with the increase in population, the interests of the
people always get divided. But I still feel that the
people of Chandigarh do wield a healthy influence on the
residents of other cities of India. Such is spirit of
this city, she adds.Its only city in the
country that has retained its character, while infusing
the different flavours from all over India. Chandigarh
sees the Bengalis having their own associations, and the
Keralites and the Garhwalis their own, says Champa
Mangat Rai, who came to this city way back in 1953.
Associated with theatre
activity in the city, as the founder-member of
Chandigarhs well-known theatre groupAbhiner,
she first joined the movement in Shimla, where she
started the Little Theatre Group with some friends. Once
in Chandigarh, she joined late Eulie Chowdhurys
Chandigarh Amateur Dramatics Society (CADS) as a make-up
artist. She went on to produce a number of plays.
Moving to this city that
was personified by open spaces in the year 1956,
Saudamini Bhamba, who taught physical education at Panjab
University, says, I remember the time when people
thought nothing of walking from the university campus to
the Sukhana Lake and back. Entertainment at that time in
this open-handed green city was mostly social. With the
presence of a very progressive theatre group, cultural
life here was synonymous with theatre. Remembering
the everybody knew everybody phase in
Chandigarh, Saudamini remembers the social and charity
programmes at the campus in which everybody used to
devote some time to help the not-so-fortunate.
In our times, we were a
dedicated lot. But with the kind of affluence that has
set in, the children have inflated their needs and
demands. Chandigarh is no more a laid-back
city.A jungle full of dust could have
been the starting point of the growth of any city, but to
be called a continuous modern symposium on the
principles and practice of architecture in our time
definitely means a view above the esoteric Indian view of
connecting life with grovelling in the dirt, remarks K.
Atma Ram, who retired as Director, Public Instructions
Higher Education, Punjab, and arrived here from Patiala
with her family 1956.
M.S. Randhawa should be
given the credit for releasing the human values to this
city and providing it an artistic landscape. And today,
because people are multiplying like flies, Chandigarh
does not seem to be in a very happy situation. But even
now nature seems to emanate peace, especially in the old
northern sectors. The openness of certain sectors seems
to be the only saving grace for this quickly growing
city, she adds
.Agreeing to the drawbacks
of the industrial units at the periphery of Chandigarh,
she remarks, Industries have been known to cause
pollution. The Chandigarh Plan should have arranged to
check for this kind of growth as well. And there are
people, especially the youth, who are interested in
beautifying this city. But if they are planting trees you
cant expect them to take water-hoses everyday to
the streets and water the plants. The administration
needs to step in.
Adds Saudamini Bhamba,
Though most people in the city have beautiful
gardens, those are a result of encroachments on the
pavements. Ironically, if these encroachments are cleared
nothing else but parthenium will grow.However, growth
always brings with it the inescapable mutation of the
previous form.
Remarks Champa Mangat Rai:
The satellite towns of Mohali and Panchkula are a
result of the inevitable growth of the city. So with the
changes that have occurred every where else, I dont
think that too much philosophising on this change is
desirable.
Though many Chandigarhians
have come to think of the Babu city or the
dead and dull city label pinned on their city
as a bad joke, there may still be some amount of truth in
the nickname. Of course, today Chandigarh has its fair
share of discos, wondrous eating joints, typically
freakish clubs and even a bowling alley. Gone are the
days when being with friends meant samosas at Kaku
Shahs; when education included TKTs talk
over tea, an informal interaction between teachers and
students; when entertainment meant chamber music concerts
or productions based on Bhai Veer Singhs
compositions; when traffic meant cycling down the roads
and sometimes seeing an odd car.
Because most of the
people who first settled in Chandigarh migrated from the
culturally-alive Lahore, a lot of work in the field of
theatre seemed to be happening. But now the kind of
understanding and appreciation required for such things
seems to be missing in people. In a city where once the
post of a lecturer of music was abolished in the
Mens College, there is definitely little success in
developing the finer sense of the residents.Youngsters
feel that culture is what happens in the clubs!,
laments K. Ram.
Adds Saudamini Bhamba,
It was in Chandigarh that we started a school for
the construction workers on the university campus, by
collecting money from each other. Later, we also started
students Aid Society, which got the Ankur School
built with the help of donations.
One doesnt really
see that kind of commitment any more. But that then is
also a national phenomenon.Observing the state of
theatre in city today, Champa Mangat Rai asserts,
the sad part is the free theatre that is available
to the people of Chandigarh.
If there is a need to
cultivate the desired kind of audience, theatre should be
ticketed as it is done in the other
cities.Ive raised my children, and now
my grandchildren in this city. And obviously there is a
whole lot of difference between them, but I hope the
younger generation would take some steps to correct the
wrongs, says Saroop Krishan.
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