ART & LITERATURE

'Art & Soul

ENTERTAINMENT

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FOOD TALK
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NATURE
FASHION
BRIDGE

More than a relic of the Raj
Shimla has evolved from being a retreat for the British to a town expanding to fulfil the aspirations of its inhabitants and visitors. A hundred and fifty years after it became the Summer Capital, the town’s role has changed dramatically in more ways than one 
Raaja Bhasin

B
ritain’s
television company Channel Four is currently filming a mega-series titled Indian Summers. This period drama has being especially written for the purpose and is set in the Shimla of the 1930s. This is to be telecast in 2015. For those who remember Granada Television’s grand spectacle of the 1980s based on Paul Scott’s book, Jewel in the Crown, this is something comparable – if not larger – in both scope and budget. The cast, crew and production team run into scores. Not unexpectedly, this will pump in a substantial amount of money into the local economy and the publicity it will generate, should have tourists flocking to the place. The cast includes Julie Walters, Henry Lloyd Hughes and Roshan Seth. With high drama, passion, politics and sex, this is set in the time when India dreams of Independence, while the British cling on to power. Both sides of the experience is being portrayed. There is, however, one catch. This is not being shot in Shimla, but in Malaysia.


Arts
Lines that express love of the hills
Detailed drawings that capture the heartbeat of Shimla are the hallmark of an artist whose affection for his subject is reflected in his work
Pratibha Chauhan

H
is
fingers can weave magic be it with an ink pen, pencil, paint brush, or simply his incredibly beautiful calligraphic strokes.
B.S. Malhans, known as Billy to all his friends and acquaintances is a familiar face of the town. He is not just a multi-faceted personality but also a person who despite the maddening urbanisation and Shimla turning into a virtual concrete jungle remains alive to the small beauties of life — a chirping bird, the spring iris in full bloom or the hillside covered with wild daisies.

The Gothic resonance in Gaiety
A major focus of social life during the days of the Raj, Gaiety Theatre remains an inseparable part of the culture and heritage of the Queen of Hills
Vandana Shukla

Y
ou
will come across polarised opinions about Gaiety Theatre. If you are one of the fortunate ones, who enjoy access to the interiors of this famed theatre, you won’t resist marvelling at its intriguing architectural splendour. Intriguing, because you’d never come across a fine maze like arterial passageways in any other theatre, the kind that lead you to the backstage, and the stage appears like a hidden jewel. A sudden blossoming of arches, a surprise flight of stairs, and then, the lacquered polished interior where the audience used to sit, in luxury! The perfection of acoustics matches the luxuriant setting. Unfortunately, most shows are held these days in what used to be the ball room, and hence, many remain unimpressed by the glory of the Gaiety.


HERITAGE
Concrete crown for the Queen of Hills

The Hindustan-Tibet road that came later to be known as the Cart Road was a major turning point in Shimla’s story of growth
Raghuvendra Tanwar

S
himla
was formally acquired by the British during the tenure of Lord William Bentinck (1830s) even though Charles Pratt Kennedy was the first Englishman to be deputed to Shimla as Superintendent of the Hill states in 1822. However, it was during the tenure of Lord Auckland (1839) that Shimla started to come of age. Till then it was almost a village without a road that could be used by wheeled carriages. Till about 1840, the common mode of transport was the jampan for ladies and horses for men. The jampan was a contraption that had poles attached to a chair which was lifted by coolies on the shoulders.


Society
Luminaries who added lustre to the town
Whether they were born in Shimla or lived there, the hills were their muse. The erstwhile Summer Capital of the British has been home to some of the finest writers, artists and performers 
Usha Bande

W
hen
CEM Joad wrote that civilisation means building culture and culture means man’s proclivity to create art, music, painting and literature, he was hinting at quality of life symbolised by finer sensibilities. On a smaller level, any town or city acquires a distinct identity of being a cultured and civilised town when it exudes aesthetic excellence. Shimla has all along displayed an amazing penchant for literature and art. Writers like Krishna Sobti and Nirmal Verma and painters like Amrita Sher-gil and Krishen Khanna drew inspiration from the sylvan surroundings.

Faded charms of the ageing Queen
Oldtimers reminisce about early days when Shimla was still unspoilt, green and clean
Pratibha Chauhan

H
aving
spent their childhood in the pristine and unspoilt environs of Shimla, it pains these senior citizens to see the present plight of the town, once famous as the "Jewel of the East" during the days of the Raj. Set up by the British as a home away from home, the town is a pale shadow of its past with more and more concrete structures replacing its majestic deodars and pollution-free environs. The denuding forests, shrinking greenery, choked roads, water shortage and traffic congestion are the factors which explain the present state of affairs of the state capital.


legacy
Shimla kept its date with history
Shimla, then spelt as Simla, has been the venue of three major politically significant agreements
Dinesh Kumar

I
n
both pre and post-Independent India's political history, Shimla, with its once pristine beauty and splendor, is often associated with the historic July 1972 Simla Agreement. The agreement was reached between New Delhi and Islamabad following the December 1971 Indo-Pak war. That war had resulted in a second partition in the subcontinent – that of Pakistan. It was made possible by the people of East Pakistan with the active assistance of the Indian Army that eventually resulted in, until then, the largest post-World War-II military surrender (by Pakistan) to India and the formation of Bangladesh as an independent sovereign country.

Schooled in glory
The town is a hub of education, thanks to the many elite educational institutions that were set up here. Some of these are more than a century old
Pratibha Chauhan

k
nown
the world over for its elite public schools, most of them over a century old, Shimla has had a fine tradition of grooming young boys and girls at its renowned educational institutions located in some pristine and idyllic locations.


ENTERTAINMENT
Bollywood's Shimla
From the suave Dev Anand to the meticulous Aamir Khan, most major Mumbai stars have succumbed to the magic of the historic hill town over the past 50-odd years
Saibal Chatterjee

F
or
Hindi cinema, Shimla is a beautiful and abiding obsession that has stood firm in the face of constantly changing fads. Kashmir did put it somewhat in shade for a while from the late 1960s onwards before Switzerland threatened to make the hill town redundant in the 1990s. But, despite the ups and downs, the big screen magic of Shimla hasn’t waned one bit.


COLUMNS

Food talk: Flavours of the Raj
by Pushpesh Pant

WEBSIDE HUMOURPlumbing finances 
by Sunil Sharma

CROSSWORD
by Karuna Goswamy

weekly horoscope

BOOKS

Shimla on a page
Some of the finest town histories have been written on this summer capital
Raaja Bhasin
T
he
connection with literature, fiction, history and Shimla has always been strong – even if much of the writing was done away from the hill. Perhaps the best known connection is that with Rudyard Kipling who drew inspiration from the town and its residents long after he had left

Varied perspectives on social change
Reviewed by D S Cheema
Inside-Outside, Two Views of Social Changes in Rural India
by B S Baviskar and D W Attwood
Sage. Pages 451. Rs 950

Books on Shimla

India through Nehru’s eyes
Reviewed by M Rajiv Lochan
Jawaharlal Nehru, A Biography, Vol 1 1889-1947
by S. Gopal, Oxford University Press, 
New Delhi.

Shadow & substance
Reviewed by Suresh Kohli
Dilip Kumar: The Substance and the Shadow: An Autobiography 
As narrated to Udayatara Nayar
Hay House India. Pages 456. Rs 699

 





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