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March of the light brigade
PACESETTER Deepa Kiran
Deepa Kiran at a show
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Switch to A term that started out as downmarket and with no class appeal, kitsch has carved a unique niche for itself that draws everyone. Originally used to denote items of art and design that were deemed to be in bad taste due to inclusion of design elements with ill-perceived sensibility and striking colours, kitsch has risen in ranks and has a dedicated fan following, finding space in the most well-to-do homes and even as apparel. It is this very mockery of pseudo-good taste that appeals to people, especially youth.
As a movement, kitsch holds dear a disdain for the seriousness of aesthetics involved in intellectual art and emphasises the need for art to impart unapologetic pleasure using cultural icons. In India, the use of auto-rickshaws, Taj Mahal, peacocks or lotus in vivid colours on cushions, decorative items and clothes, for example, would probably not be considered artistic but are being appreciated. It is this very tongue-in-cheek look at everyday articles that makes kitsch stand out, arrest your attention and invariably, bring a smile to your face. Youth oriented
One of the first to introduce the concept of kitsch as a fashion statement was Manish Arora, who launched a wave of new-found love for all things Indian with his brand Fish Fry. In 2003 Rajat Tuli and Rahul Anand noticed that there was a dearth of things targeting the young. They say, “A decade back when we established Happily Unmarried, we had nothing particular in mind other than to create products that spoke the language of the youth. Now, with a strong design team to back our vision, we have over 400 products in apparel, home, bar accessories, stationary and lifestyle categories.” Of their most identifiable items are their T-shirts and chai cup shot glasses. It is their interesting use of the great Indian love for tea, play on everyday quotes and a quirky take on common objects that makes them so loveable. They have a presence all over India as stores and kiosks; and people in Dubai, France and UK, too, appreciate their stuff through the multi-brand outlets where they retail internationally.
India Inc.
Sometimes, the best ideas pop into the head when you least expect them. Vivek and Shubhra launched Chumbak in March 2010 after one of their many travel escapades that left them longing for souvenirs and fridge magnets that represented the spirit of India and were fun too. Based in Bangalore, the company was started after a lot of research and passion. Shubhra Says, “We sold our apartment to raise money to fund our project; without knowing that it would only take us six months to recover the money! Initially just three stores sold our products, but our love for Indian things kept us going and growing. Just three years old, we have a following among the young, urban Indians who seek out unusual, India-centric products. Our seven-strong team of designers create products ranging from fridge magnets, keychains, photo frames, coasters, tins, T-shirts, bobble heads, iPhone cases and much more.” They have 120 stores in India and 70 in Japan plus their online store.
Mythologically yours
Design is a powerful tool and the right treatment leads to endearing artefacts. Rahul Gaikwad and his wife started their design company Giant Robots in 2007 in Mumbai and got immense appreciation for their designs. They then decided to expand into spaces as well and launched the brand name Giant Walls in 2010. Rahul says, “There is a lot to discover in Indian mythology and it has been a wonderful journey of creation-based solely on Indian ethnicity. For a long time fashion and lifestyle was ruled by big names and so the standards and styles were restricted. The sleek and clean approach had created monotony and people were looking to spice things up. Hence, kitsch gained in popularity and became widely accepted. For us, the Mocha Bar in Pune has been a proud assignment and among our clients are names like Nirav Shah and Zoya Akhtar.” BUDU dolls from their design company have been lapped up by urban buyers and the mythological series is a favourite.
Riot of colours
When a trend prevails, it is not possible for apparel to be untouched. Even clothes have been transformed by kitsch. Many brands proudly proclaim their cultural connection by surrendering to their enriching imagery and colours. Parrot greens and vermillion reds unabashedly make their presence felt in designs featuring tablas, mixer-juicers, Bollywood stars, table fans and many more interesting motifs. Shreya Jhunjhunwala, a Kolkata-based designer and owner of India Kitsch that started in 2009, says, “While Kolkata had a lot of Indian wear boutiques and western wear stores and even ones where fusion clothing was available, none were into kitsch. The glaring lack of kitsch, celebrating Indian pop, was an avenue I wanted to explore and bring fun closer to the youth. Our array of contemporary Indian and western wear and accessories celebrating the Hindustani flavour validates my education at INIFD, Kolkata. The chaabi (key), dancer and bird print tunics in neons have struck a chord with the crazy dressing streak of the youngsters.”
If you cannot find a bit of eccentric beauty around you; simply log on to the internet and you will be pleasantly surprised by the sheer variety on offer. Websites and Facebook pages dedicated to kitsch in various forms — glasses, clothes, shoes, stationary, curios, furniture accents and accessories are just a click away. Browse through stuff by Happily Unmarried, India Kitsch, Tadpole, Chumbak, The Elephant Company, Kitsch, Funky Things and other brands, each vying for your undivided attention and the only thing else that you need to pair with something kitsch is heaps of confidence.
* The first time the word ‘kitsch’ was used
most probably dates back to 1860s in Munich, Germany. The newly created bourgeoisie hankered for cheap and mass produced popular prints and art, leading the snobbish aristocracy to look down upon their taste and referred to it as ‘kitsch’. Its root word, kitschen, literally translates to ‘collecting rubbish from the streets’.
Salvador Dali & Andy Warhol
* There is an Allee Willis Museum of Kitsch where kitsch collector Allee Willis displays her huge collection and it is located online at www.awmok.com *
Salvador Dali and Andy Warhol were considered kitsch during their lifetime and later came to be regarded as high-brow art. |
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March of the light brigade Their warmth and glow can lend a seductive charm to an evening. These can be used to enhance any occasion, especially the Festival of Lights. These come in all colours and sizes and in various avatars —plain or scented, in jars, as tealights or as floaters. Decorative and ornamental, candles light up homes every Diwali. There is an array of exotic varieties to choose from. The big demand this season is for aroma candles that help you connect spiritually with their fragrance, or even unscented decorative candles that are just beautiful to look at. Ornamental appeal Over the years, the melting pot of the candle industry has moulded many a success story during the Diwali season. What began as a flicker of hope to make ends meet has, for the more talented manufacturers, become a raging success even as manufacturers realise that designer candles have an amazing ornamental appeal and are a great gifting option. Seen as the more attractive version of the ordinary variety, the fancy candle, lit or unlit, is this festive season’s statement for the upmarket segment of buyers. After all, what could be a more appropriate gift than imaginatively designed and evocatively scented candles which add a touch of class to the Festival of Lights? This festive season stores are offering a variety of candles that not just illuminate the home but also add a new dimension to the festive season. On offer are Feng Shui candles, whose colours and shapes represent different elements. According to believers, the spot in the house where you place the candle determines the effect it will have on the surroundings. Then, there are large pillar candles used as decorative in the lobby. Also on offer are mashaals for the garden, which are encased in transparent shells that serve as windguards and produce a beautiful glow in a garden party.
Floating candles For indoors, the preference this season is for floating candles. As the name suggests, these are special candles that float in a bowl of water. These are decorative and provide hours of soothing fragrance and calming light. These are plain yet stylish scented or unscented candles that add a warm flickering glow to a Diwali dinner, or simply as decoratives. Interestingly, there is also a big demand for aroma candles for the Diwali puja. A refined offspring of the incense stick and wax candle, these usher in a calming effect on people as they pay obeisance to Goddess Lakshmi and Lord Ganesha. “Aromatherapy candles, with their gentle glow and subtle fragrance not just relax but can change the atmosphere of the prayer room and help you connect spiritually,” says Vandana Kohli, whose candles are in great demand during Diwali and Christmas. And if you think that the prices for these ornate four to 18 inch tall candles will burn a hole in your pocket, you are right. You can, of course, draw satisfaction from the fact that candlemakers like Vandana claim to import the raw material — be it the wick, fragrance, colour and even the wax all the way from England or Italy.
Ornamental wax art It is not surprising then that her range boasts of floating votives and tealights ranging between Rs 150 and Rs 225 a piece, mashaals with citronella oil for Rs. 750 a piece, silver pyramids with jasmine for Rs 1,675 per piece and pillar candles for Rs 1,750. Far removed from the ordinary wax sticks, these appeal to the high rollers who have the money to burn over the flames of these candles, which are virtually ornamental works of wax art. Candles sold by Delhi-based designer stores like Brighton and Illuminati, too, can literally set your wallet aflame. Their lemon, basil or musk scented tea lights retail between Rs 400 and Rs 700. Online designer and decorative candle store http://www.houseproud.in has on offer shot glass size Single Kim candles for Rs 1,020 a piece, scented tall glass candles for Rs 1,080 a piece and candles in the shape of animals like sheep, giraffes and elephants at Rs 2,960 for a set of two. Their colourful and attractive candle bouquets can range between Rs 5,890 and Rs 6,320. Casting their spell with every flicker, these candles find favour, especially during Diwali. But there are buyers for all type of candles: be it the ordinary ones or the designer stuff. Be it Rs 15 a dozen or Rs 5,000 a piece, there’s a demand for both during the Festival of Lights. So go ahead. Light up and indulge yourself. Whatever the cost, make your world glow with a candle this Diwali.
Diwali candle decoration tips *
A bunch of different-coloured candles of varying heights has a stunning effect on the surroundings. *
Wow your guests with floating votives and tealights. The combination of water and fire is very alluring. *
Use a mirror as a base to enhance the effect of candles. The reflection makes illumination very dramatic. *
Place a floral arrangement around candles for heightened effect. Flowers and candles make a great combination. *
Put large candles in glass containers near the front door to welcome your guests on the Diwali night.
CIRE TRUDON SCENTED CANDLE
price: Rs 5,400
FORNASETTI CAMMEI ORO CANDLE
price: Rs 24,000
HANGING TERRACOTTA DIYAS
price: Rs 395
DIPTYQUE’S SCENTED CANDLES
price: Rs 6,000 per candle
BOND NO. 9 MADISON SQUARE PARK CANDLE
price: Rs Rs 11,000
CREED AVENTUS CANDLE
price: Rs 8,000
VASCOLARI PALM ROOT CANDLE
price: Rs 20,000
LAURA MERCIER FIG CANDLE
price: Rs 4,800
ROJA PARFUMS CANDLE
price: Rs 7,500
JO MALONE LUXURY CANDLES
price: Rs 3,800 to Rs 6,500 per candle
RALPH LAUREN CLASSIC DUCHESS CANDLE
LALIQUE VETIVER SCENTED CANDLES |
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HOTEL WITH AN ARCH prices start at around Rs 49,800 ($830) a night for a suite.
ROYAL TIME price: Yet to be announced
‘SHOT’ OF VODKA price: Rs 3,600 for 500 ml. ‘gun’ ($60)
FIT FOR CINDERELLA price: Rs 2.907 lakh ($4,845)
DAZZLING DIVA price: Upon Request
RAISING A PLATINUM TOAST price: Rs 9,400
GOLDEN EYE price: Rs 2.28 lakh ($3,800)
GOLFER'S PUFF price: Rs 1,320 per cigar ($22)
ENGAGEMENT RING WITH A HEART price: Upon request
BRUSH WITH THE PAST price: Rs 15,000 ($250)
FRIENDLY OWL |
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She loves to tell a telling tale Hyderabad-based author Deepa Kiran chose to become a professional storyteller and conducts workshops to save an age-old tradition Swati Rai
From
iconic mythological tales of MatasyaKanya, and the multi art fusion story of Dashavatara to self-written or adapted humorous tales of The Silly Price of Bondapalli, Deepa Kiran, the professional story teller has many a story gem hidden in her “art with a heart”!
Deepa has cast her magic not only over children but also adults. She regularly conducts workshops on storytelling as a medium for learning a language, respecting Indian heritage, building confidence, addressing parenting issues and teaching life skills. “I always told stories to friends and family and also heard and read a lot of stories. I noticed that the story bonded me with children. It was then that I began to take my love for storytelling far more seriously. I also realised it brought together all my favourites of speaking, public-speaking, voice, dramatising, singing, classical dancing,!”
It was only when an ailment that was apparently curable but had fatal side effects, which Deepa journeyed through for about six to eight months, did she quit procrastinating and took seriously to storytelling. “I focused on my techniques and on theoretical understanding. I heard and watched a lot of tellers from all over the world and also read resource books and research material on storytelling.” She held the first storytelling camp for children in the summer of 2008 soon after she was diagnosed with the ailment.
“Fascinated with Indian folk and mythology I was able to weave in all of my learning into a ‘repackaged version of the traditional style’ of storytelling where the storyteller breaks into poetry, music, dance and drama, as she interacts with the audience and relates the tale.” The art of storytelling, according to Deepa has much more significance than just a revisiting of the past and moralistic values. “Leveraging the use of storytelling in training for personality development and life skills is already happening in states like Karnataka and Tamil Nadu and slowly developing in Delhi, Jammu and
Haryana.”
As she says, “It is the easiest and toughest art from at once. It is so easy that’s why all of us can tell stories. It is so difficult to engage an audience with just your voice and words. I love the challenge.” She feels in all other arts one receives and enjoys the art but in storytelling one creates and enjoys the art. She finds it joyful to take people on a magical ride and be a part of helping them to create the journey and also the responsibly bring them back from it.
Ask Deepa about what makes for an effective storyteller and she says, “To be a storyteller one needs to have, a love for telling and for listening to stories, the desire to share them and reach out to people through the medium of storytelling, the courage (or the wish to overcome the fear) to stand up and let go inhibitions and speak, sing, dance, act all of it.” Most importantly, she adds is to have a passion to learn, create and grow continually and have the passion for the fearless pursuit of excellence. “I believe that a theoretical understanding of the art and its possibilities: ‘How it touches lives’ makes one far more aware of this immensely powerful medium. I therefore make this an integral part of my storytelling workshop for educators and parents.” Quiz her about her future plans, and in her words, “To continue to offer storytelling along with the other arts, to children as an experience and personality development process; to adults as a tool for self-exploration and expression; to parents and educators as a medium of reaching out and facilitating the joyful blossoming of childhood.”
There are also plans of building story props, making DVDs, and writing books. “I am looking to work on these gradually. I am also looking at exploring online space to cater to requests from other parts of the world too.”And thereby hangs a tale!
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