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Gals, it’s shoe time
PACESETTER ankur singla akosha
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The dawn of Twitterature I was four and very scared the first time I had a microphone between me and the audience. There was an audience! And there was the microphone aggressively pointed towards me. I had seen how this gadget could make you sound loud and even change your voice. What I learned on the performance day was that it could also get my voice stuck in my throat, my head bow down and my diction muffle up. And there I was, a fairly talkative boy of four, reduced to a scared mongrel, incapable of even whining. Around me, there were some who started crying, some who spoke in monotones. There were others who became even more animated and entertaining.
What did the microphone do? And more importantly, why? All it did was to amplify our voices — and we lost sense of our normal selves. This was the impact of the medium. Broadcast media changes the way we act. The promise of an audience and the facility of amplification bring out uncharacteristic behaviours. A subtle difference can be seen in the way we behave normally and in the way we “pose” for photographs, which are destined for public viewing. A starker difference can be seen in the behaviour of those young men in Guwahati — a pint- sized camera made them forget all morals and respect and had them behaving like performers in a most unfortunate play of events. In our times, Twitter is the new player in the world of broadcast media. Twitter has just one explicit rule — to stay within 140 characters. By being brief and agnostic to the usual grammar rules (and language), Twitter immediately becomes accessible to a wider range of people than newspapers and blogs. 140-characters are enough to express your thoughts and ideas without having to conform to the learned affectations of long drafts. Two lines and you have said your story. Twitter brought along little microphones for all of us. However, we didn’t turn into mumbling four-year olds. One reason for that is when we start out on Twitter, we don’t immediately realise how powerful the medium is or what the impact of our actions could be. And powerful it is: Announcements are made, scandals are outed, entrenched dictators toppled — all by them innocuous little things called tweets. Twitter, at its most positive, gives us a platform to announce or share with our followers our ideas and aspirations. Unlike other broadcast media, however, by tagging people, one can have direct conversations with many people. By hashtagging tweets appropriately, one can ensure that the conversation joins up a larger conversation and make it trend, that is, it becomes the most-talked about topic. Young people in Iran started talking to each other on Twitter and realised that they were not alone in feeling cheated by their government. #iranelection became a label for every such conversation and sowed the seeds of an uprising on the ground. In everyday life though, the pervasiveness of the social network ensures that we spend more and more of our waking hours constrained by its grammar. The emphasis on popularity and its definitions in terms of followers, retweets and trends, accentuates the eternal need to do or say “something catchy”. Here, the network brings out the same behaviours 24-hour-news brings out in news channels. Every moment has to be tweet-worthy, every cause worth a hashtag, every weekend a series of check-ins, photographs and “breath-taking” moments. The same way, lines between news reporters and newsmakers are blurred in 24-hour-news, we start making our life’s events into tweets. Life becomes a series of tweets/hashtags/trends rather than a series of moments, which would later be talked or tweeted about. Instead of living a life, we start tweeting one. The abundance of information we post to the social network with so many potentially note-worthy moments, leads to the medium having a very short memory. Where books are immortal, newspapers fresh for a day, a Twitter trend can be lost in hours, if not minutes, to be replaced by something else equally interesting, but novel. When looking at Twitter as a medium, it is prudent to compare it with the traditional media. Traditionally, access to information had been scarce and the idea of “breaking news” carried a lot of weight. In the last ten years or so, Twitter, along with Facebook and Google, has broken the news agencies’ monopoly on first information. News makers and eyewitnesses directly report happenings on Twitter. Scandals, natural calamities, terrorist attacks — Twitter beats traditional media sources with reality bites, personal opinions and lucid coverage. At another level, newspapers, radio, television shows — these held enormous authority since these were broadcast media with one-way communication. What the TV or the newspaper said had a certain credibility attached to it. There was just one version of events, just one way mysteries enfolded. Today, Twitter enables us all to broadcast to our micro-audiences of “followers” and partake in conversations simultaneously, which was never possible with the broadcast mediums of the old. Whatever its downsides, the reality is that the new medium is the new reality. Traditional media sources will slowly get undercut by its forces, mass society behaviours are going to be captured and shaped increasingly by this new sense of a mass audience and instant answerability. The power of the network, however, is something we are still in the process of discovering. In this interim, it is prudent for us to walk with some amount of caution, lest we end up like one of those kids with four-year-old me, who lost all control when they found themselves in front of the microphone, only to regret it later. |
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Gals, it’s shoe time How one envies our ancestors! No confusion every morning about what clothes to wear, what footwear to go with it, what accessories to match with these? Just drape a good saree and deck yourself up with flowers in hair, neck and wrists. Add to this, a pair of ‘khadaun’ (flat wooden sandals) for your feet and you are ready. While the saree continues its hold, the ‘khadaun’ have undergone a metamorphosis. Blame it on the fetish for shoes but footwear has witnessed a tremendous transformation. Today we have ballerinas, pumps, stilettos, wedges, peep toes, sandals, gladiators, flats, flip-flops, Kolhapuri chappals, so on and so forth. The list of different styles of footwear has almost become endless. During her husband’s reign, former First Lady of the Philippines Imelda R. Marcos is believed to have owned nearly 2,700 pairs of designer shoes. It was when the collection of her footwear, which is part of the most-prized collection of the Shoe Museum in Marikina in the Philippines, became public news that designers and fashionistas across the globe woke up to the importance of flaunting different footwear for different occasions. While three pairs are a must for every woman, Imelda is the limit to own the maximum. Echoing the sentiments of the woman-next-door, Deepika Mehra of brand Vanilla Moon footwear, says, “A woman can never have too many pairs of shoes. Buy as many as your fetish (and wallet) permits.” But she goes on to say, “While it is important to maintain the fashion element, it is equally important not to overlook the comfort factor; otherwise an enjoyable outing can turn into a painful experience. If it is going to be a long day or evenings with a lot of time spent standing and walking around, then pay more attention to the comfort factor. If it is an occasion which warrants less standing, then go for higher heels and walk tall.” The problem with shoe shopping is that everything looks great in the window display. When one sees stars like Aishwarya Rai Bachchan, Deepika Padukone, Anne Hathway, Angelina Jolie, etc. cheerfully walking with six-inch stilettos or wedges, we, too, assume that we, too, will be comfortable in these. However, one should never make this cardinal mistake while buying a pair of shoes. According to Payal Kothari, designer at brand Veruschka, “You should make sure that an experienced salesperson measures your foot and gives you a proper fit. It’s never the length of the foot that’s important. It’s the ball of the foot. Make sure that the salesperson is measuring it properly. Go for the shoe that you feel comfortable from the minute you step into. Walk around an uncarpeted area of the shop before zeroing in on a pair.” Many reputed shoe shops or designer boutiques take great care to offer you advice while selcting a shoe and, however much you may not like the plain-speaking attendant, for the health of your feet and your overall well-being, you should take the advice. Another point one should always take care of, especially in the warm and humid climate we live in, is to go in for as many natural products for shoes as possible. No doubt, PETA is doing a wonderful job by fighting for the rights of animals but when it comes to shoes, go for leather shoes. On the material best-suited for shoes, Deepika asserts, “Natural products without compromise. Pure leather allows the feet to breathe properly. Synthetic materials may cause excessive perspiration, which should be avoided in our hot climate”. A must in all-women’s shoe rack is a pair of shiny black patton classic shoe, which can be worn with any dress. For daywear, go in for small wedges, flats. For more comfort, go for a ballerina, and if you are a college goer, nothing is more comfortable than a pair of sneakers. For evening wear, make sure you have a pair of delicate strappy-heeled sandals, gladiators, or stilettos. The height of the heels should depend on your comfort level and balancing abilities. With the opening up of Indian markets and increasing expendable budgets, several international big brands are finding India the best place to be. Many international brands like Prada, Givenchy, Jimmy Choo, Yves Saint Laurent, MCQ etc. are operating through channel partners in most Indian cities. Competing with them, we have our own brands — the evergreen Bata, Veruschka, Vanilla Moon, Woodland, Metro, Mochi, and several others. So, don’t be in a hurry to buy shoes. Take time and select the proper fit and style.
Givenchy
Jimmy-Choo
Christian Louboutin
Christian Louboutin
Nicholas Kirkwood
Purple Casadei
Cesare Paciotti
Jimmy-Choo
Vanilla Moon
Valentino
Prada
Miu Miu
Dsquared shoe
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PACESETTER ankur singla akosha Taking on the big boys Pooja Dadwal It is a well-established fact that every system creates its own corruption. While we can buy products from exceptional companies, we are also presented with the not-too-pleasant reality of sub-standard services. We have to deal with mediocre, substandard services and defective items. To top it all there is an unresponsive customer care. Bridging this gap seems to be a herculean task and taking stock of the situation and acting as its advocate is Ankur Singla with Akosha, an online consumer rights’ platform. When Ankur Singla, Founder — Akosha, who is an NLS Bangalore pass out, left his job with Linklaters LLP, London, little did he know that he would end up being in the vanguard of a new concept in India. “When I came back home, I decided to sell legal documents online. I started with wills first (wasiyat.com) and operated from a small space in my father’s office in Chandigarh.” But despite his best efforts, the Indian populace wasn’t too happy or even comfortable discussing wills (and by extension, mortality) or the messy business of distributing one’s wealth, through the aid of an online venture. Having invested time and energy in this, it was disheartening to see his efforts prove to be not-so-fruitful. But it was somewhere during this time that Singla had a rather bad customer experience through the hands of a leading telecom company, that turned the tide for him. During a call to this company’s customer care, Singla got so frustrated and harassed that he wished he could have literally outsourced his problems. “I so wished that someone could have handled that whole experience for me — calling, waiting, speaking with an incompetent agent, call getting dropped in the middle, and starting again from the beginning.” And it was this thought of his that helped him “get back on track and pivot Akosha’s product strategy to focus on helping consumers resolve their complaints against brands.” From its initiation in June 2010 till date, Akosha, which is now based out of New Delhi, has filed over 44,000 complaints, worked with over 200 brands, saved consumers money to the tune of over Rs1 crore and saved more than a year’s time in all for all its harried clients. Impressive, isn’t it? From humble beginnings in a rented space, with a handful of team members, to its present rising graph, Akosha has grown tremendously under Singla’s leadership. So what more does Singla envisage for his company? “We want to become the foremost consumer platform in India for resolving complaints and influencing brands,” he says. And going by the reviews and feedback on the site (akosha.com) as well as social media, it seems Singla is well on his way towards achieving this goal. |
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BLING IT ON
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