Mysticism to modernity
Lhasa is today awash with modernity, wherein traditional values only seem to be an appendage. Pratibha Chauhan
reports on the town’s development after a recent visit
The unveiling of the Buddha painting is the highlight of the
Shoton Festival
BOARDING
the flight to Lhasa
filled me with the excited anticipation of a mystical experience in
the land of the Buddha. Particularly, for somebody who has lived in
Dharamsala and heard from nostalgic Tibetan refugees about the
grandeur of Potala Palace and effervescence of Tibetan spiritualism,
Lhasa conjured visions of maroon-robed, prayer wheel-rotating monks
and nuns milling around in a landscape dotted with monasteries.
I thought about
thousands of Tibetan refugees uprooted since 1959 from their native
land, who would probably never get to see their country again and
considered myself lucky to be among the privileged few getting to see
the "forbidden city".
As one drove from the
Gangor airport, some 90 km away, to enter Lhasa, the mental
stereotypes about the city began to wane. High-rise shopping malls,
ornate corporate offices of banks, construction and telecommunication
companies and expressways seemed to strike a discordant note with the
mental visions of a theocratic polity that Tibet had always been. The
initial euphoria dissipated quickly and the mind disconnected from the
heart to witness the present reality.
A view of the museum at Lhasa
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The mystical land, home
to some of the greatest Buddhist scholars and spiritual teachers, is
today awash with modernity wherein traditional values seem only to be
an appendage.
The city can today boast
of one of the best infrastructure. There is an attempt, though, to
uphold the rich history, culture, traditions and values that the land
is known for worldwide. I was amazed at the development that had taken
place, as it appeared no different from any other modern city with
excellent roads and well-regulated traffic.
The town certainly wore
a festive look with elaborate decorations on major places, especially
outside Potala, the winter palace of the Dalai Lama and Norbulingka,
his summer abode. Since our visit coincided with the "Shoton"
or "Yoghurt" festival, there was an air of festivity and
celebration with a one-week government holiday in the town.
Lhasa, which in Tibetan
means "sacred place," is popularly known as the "Roof
of the World" at an elevation of 3650 m and also referred to as
"Sunshine City," considering the fact that it gets 3,000
hours of sunshine annually. Located on the northern bank of the Lhasa
river, the city has a population of about 2.70 lakh with 31 ethnic
minorities, including Tibetan, Han and Hui.
The rapid pace of
development inside Tibet and particularly in Lhasa has greatly picked
up over the last two decades. The Central Chinese Government and
officials of the State Council of the Tibet Autonomous Region (TAR)
claim it is the result of the special importance accorded to Tibet. It
has been receiving preferential treatment in policies, thus heralding
a socio-economic revolution.
Given the fact that
Lhasa looked like any other modern city with excellent infrastructure,
including the best of roads, well-regulated traffic and all the rest
in place, it is at the ancient monasteries like Drepung, Jokhala and
Potala Palace that one gets the feel of the spiritual aura. This
mystic ambience notwithstanding, the Chinese efforts in bringing to
the Tibetan people quality education, health, communication, etc.,
cannot be underestimated.
Festive
fervour
The
unveiling of the huge Buddha thangka (sacred painting) is held
at the over 1,000-year-old Drepung monastery on the outskirts of
Lhasa town, atop a mountain early in the morning. It is this
ceremony which marks the start of the Shoton festival, when
people make offerings of yoghurt, milk and curd to the monks who
have been in meditation for months.
The Norbulingka Square comes alive with festivities
Photos by the writer
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It was still dark
but the entire mountain along the monastery was flooded with
people. The place had a mystical feel as the chanting of mantras
reverberated and the smoke rising from the tiny hillocks
purified the air. Holding the white offering khatas (sacred
scarf), the people impatiently waited for the ceremony to begin.
It was around 8 am
that 20 monks from the Drepung monastery carried the large
500-year-old Sakyamuni thangka paintings on their shoulders to
be put on display. The Buddha painting, 30 m x 40 m was
gradually unfolded amidst the echoing sound of the bugle on the
hill side, facing the monastery. The crowd went into raptures as
the ceremony of the "Buddha basking in the sun" was
completed.
People from far
and wide made a beeline to the hilltop to get a glimpse of the
Buddha painting, to seek blessings and make a wish in the most
divine of surroundings.
"I have been
coming here since my childhood as it is a very auspicious
occasion and there is no way we can give it a miss," said a
monk Ang Wang Xiao, who came from Pianbo monastery of the Gelupa
sect, 70 km away.
Others like truck
driver, Zhaxi, were here for the first time as he had heard a
lot about the ceremony.
As compared to the
1.90 lakh persons who had turned up for the unveiling of the
Buddha painting, this year, the number is estimated to have
crossed 2.50 lakh, according to Tourism Board officials. The
traffic in the town came to a standstill for three hours as
devout Tibetans made a beeline to the sacred hilltop.
Later, all
assembled at the Norbulingka Square where the official function,
kickstarting the Shoton festival, was held. The Tibetan Opera is
another big draw during the festival as shows are held at
Norbulingka and Longwangtan (Dragon King Pond) Park opposite
Potala Palace. The Tibetans assemble with family and friends in
the park and enjoy the opera while sipping butter tea, chang and
special desserts.
As such, the Lhasa
Shoton has become a grand gathering for the Tibetans, as it is a
continuation of their centuries’ old rich cultural heritage
and tradition.
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Seat of spirituality
The
1300-year-old Jokhang
temple, meaning the "House of the Buddha" in Tibetan, was
built in 647 after Tibetan King Songtsen Gampo married Nepalese
Princess, Tritsun, and the Tang dynasty Princess, Wencheng. It was to
house the Buddha statues, astrological, medical and other sacred
scriptures that they had brought with them that the sprawling Jokhang
monastery came into being.
Ever since, the Jokhang
temple emerged as the most important centre for the spread of Tibetan
Buddhism throughout Tibet, and successive rulers enlarged the temple.
The temple facing North towards Nepal, has several chapels like the
Greta Prayer Festival and the Dalai Lama Sunlit Palace. Murals
illustrating Buddhist stories, biographies, political events and local
folk tales adorn the passages and walls of the monastery. As the local
economy developed around the temple, the street outside became a
business spot — Barkor Street — selling rare thangka paintings,
exquisite stone jewellery and other artifacts.
Track
to technology
Considered
as one of the greatest feats in modern Chinese history, the
Qinghai-Tibet railway line has undoubtedly caused grave
strategic concern to India, but considering the fact that it has
practically become a lifeline for the inhabitants of the rugged
mountainous region, Chinese-Tibetan singer Han Hong has tried to
eulogise the Qinghai-Tibet railway line by referring to it as
"Tianlu" or the "road to heaven".
A technological marvel, the Qinghai-Tibet railway line has been hailed as ‘Tianlu’ or the ‘Road to Heaven’
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The
construction of the railway was part of the China Western
Development strategy, an attempt to develop the western
provinces in Tibet and parts of China, which are much less
developed than the eastern part of the country. One of the most
featured rail lines in the world on television programmes, this
mode of transportation is far more affordable and convenient to
those who earlier had the option to travel to places like
Beijing or Shanghai only by air.
The travel from
Lhasa to Beijing is undoubtedly a gruelling journey of 1956 km
covered in 48 hours. The train ferries about 4,000 passengers
daily to and fro from Lhasa, Beijing and Shanghai. The rail line
was thrown open to the public from July 2006 and has seven main
railway stations but it does not stop en-route, barring in case
of unforeseen exigencies. The rail line crosses the Tanggula
Pass, which, at 5,072 m (16,640 feet), is the world's highest
rail track. The 1,338 m-long Fenghuoshan tunnel is the highest
rail tunnel in the world at 4,905 m above sea level. The 4,010-m
Guanjiao tunnel is the longest tunnel from Xining to Golmod and
the 3,345-m Yangbanjing tunnel is the longest from Golmod to
Lhasa. More than 960 km of the Golmud-Lhasa section is at an
altitude of over 4,000 m.
There are 675 bridges,
totalling 159.88 km in length, and about 550 km of the railway
is laid on permafrost. Considering the high altitude areas it
passes through, there is provision for oxygen for every
passenger and several oxygen factories had to be set along the
route. The cost as compared to air travel is very less. For a
hard bed one needs to pay 800 yuan, while a soft bed ticket
costs 400 yuan. This railway is the first to connect the Tibet
Autonomous Region to any other province, which, due to its
altitude and terrain, is the last province level entity in
mainland China to have a conventional railway.
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