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Rabindranath Tagore’s writings bring up images of lyricism and romance. Many filmmakers feel that the horizon of a Tagore creation — be it poetry, fiction, essay or drama — is too large, all-encompassing, complex and alien to Indian masses, conditioned to ‘popular’ literary figures like Sarat Chandra Chattopadhyay and Bankim Chandra Chattopadhyay. Their creations, it is felt, are more cinema-friendly. The 14 remakes of Devdas in different Indian languages is an example. New
but not raw Beauty
via ayurveda |
COLUMNS THIS
ABOVE ALL:
Zafar and the Mutiny PUNJABI
ANTENNA:
Absorbing remarks on Ranjit Singh LEXICON:
Potpourri of
letters Webside
HUMOUR: Dedicated
workers GENERATION
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