The inimitable, dear Mrs
M
Mannika Chopra
Amita Malik with director David Lean Photo from Amita, No Holds Barred (Harper Collins) |
I can’t speak
to you. Don’t you know I have cream on my face?" she told
a young journalist witheringly over the phone. The next week the
scribe was happily wolfing down lemon tarts and coffee at Delhi’s
India International Centre for a long convivial chat with Amita
Malik. There’re not many people who make their life an event
but Amita Malik who passed away last week at the age of 88,
managed to do just that.
TV columnist,
film critic, essayist, author, rallyist, aspiring pianist,
reporter-at-large and inveterate foodie, all met in one giant,
genetic collision. For over 60 years as a freelancer Amita Malik
or Amita Di or Mrs M, as she preferred to be called, represented
that vanishing breed of Indian journalists, the one-of-a-kind
classic.`A0
Mrs M would
have revelled in the fact that Slumdog Millionaire had
received eight Oscars and earned tonnes of international
accolades. Ever since she started her column for The
Statesman, Film Notebook, way back in the mid-1950s, she
always believed passionately that Indian films, especially
regional films, could hold their own on the international stage.
That is why she took great offence when Nargis Dutt, then a
member of Rajya Sabha, said that Satyajit Ray only publicised
India’s poverty in his films. As a film critic, and as a
Bengali, Mrs M wrote in great detail why she thought this
assessment was completely off the mark.
At a time when
writing on films was not a mainstream journalistic activity —
Mrs M single-handedly placed it on the map. Indeed, she opened
the window in India to the concept of film studies. Old timers
recall how she would come to file her copy accompanied by a
series of her pet dogs. As she diligently wrote, at any given
time her dog would be patiently waiting in the reporters’ room
leashed to a chair leg. It’s hard not to overstate Mrs M’s
contribution. She interviewed the legends of cinema, including
David Lean, Ellia Kazan, Marlon Brando, `A0Satyajit Ray even
managing to interview the reclusive Ingmar Bergman — with
ease.
Her association
with Ismail Merchant was so close that while on a trip to Mumbai
he admitted to a friend that he dared not visit Delhi as he had
forgotten Mrs M’s favourite brand of bright red lipstick and
will not be able to replenish her stock.
From films Mrs
M expanded her canvas and began to comment, under a pseudonym,
on radio and later on television through a column entitled Sight
and Sound at a time when Doordarshan was becoming a national
network. Quick to point out potential talent, her praise or
criticism was enough to break or make careers. Especially
scornful of the English news readers whose pronunciation was not
up to the mark, she once devoted an entire column on the
difference between the ‘V’ and the ‘W’ sounds. At
different points of her life she wrote in The Statesman, The
Times of India, The Indian Express, Hindustan Times and more
recently The Pioneer and The Tribune.
But her
professional commitments formed only one dimension of Mrs M’s
personality. She was passionate about driving, learning to
negotiate mountainous terrains when she lived in Shillong as a
young adult. Later, this expertise made her take part in many
car rallies and also enabled her to drive frequently on her own
from Delhi to Simla where she was writing her second book, Amita,
No Holds Barred, at the Institute of Advanced Studies. In
fact, she was driving till two years ago when she was forced to
hire a driver only on the insistence of some concerned friends.
A great fan of
the western classical music, she always wanted to be a pianist
and artlessly admitted to a friend that she should have married
a rich man who would have been able to afford a piano. A
talented cook, she was forever wanting to eat out or was feeding
young colleagues who were introduced to complicated Bengali
dishes like fish head curry at riveting adda sessions
held first at her Defence Colony barsati and then in a
bungalow in Kaka Nagar where she lived for years.
Self-admittedly
indulgent, she regularly went to have her hair styled at Delhi’s
Oberoi hotel. Her sartorial sense was just as distinctive: She
loved admitting to a younger colleague that she owned a
Balacengia coat much like the one worn by Audrey Hepburn in Breakfast
at Tiffany’s.
Till last year
she could be seen in the Capital’s Khan Market nattily dressed
in stretch pants, eyes rakishly outlined with liner, her bright
red lipstick still in tact.
Typically, Mrs
M didn’t pass away because of a prolonged illness. The end,
when it came, was short. She was writing her columns till about
a month ago and in one of her last columns she said, "Dear
viewers, a Happy New Year not only in happiness but in good
health and peace of mind in these troubled times." It was
almost a final blessing. Mrs M, you will be deeply missed but
not forgotten.
(The writer is a media
columnist)
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