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Le Corbusier

Heritage at risk
The expose of the missing Le Corbusier tapestries from the High Court reveals apathy towards heritage. Kiran Joshi weaves the story behind the artefacts.
T
he recent coverage in The Tribune on the plight of Le Corbusier’s tapestries has shown that the situation of the 12 tapestries in Chandigarh is highly critical. The responsibility for their plight, however, cannot be attributed to any one event or individual but to a complex interplay of multiple factors over the past several years. The foremost among these is a general lack of awareness and a resultant lack of appreciation, of the cultural value of modern heritage among various stakeholders – users and custodians alike.

Junking a legacy
Maneesh Chhibber
I
n 2000, Nachhattar Singh Mavi had been appointed Secretary of the Vidhan Sabha. He was climbing the ramp of the Punjab Vidhan Sabha to go to his new office, he noticed something amiss.

Director with a difference
He is known for breaking stereotypes. He is recognised for his ability to move with the times. He did away with the formula mould in his very first movie, Ankur, in 1974. Saibal Chatterjee traces the three-decade-long journey of Shyam Benegal, who was recently honoured with the Lifetime Achievement Award for his contribution to developmental and social issues.
When, after making 250-odd advertising films, shorts and commissioned documentaries, Shyam Benegal burst on the new Indian cinema scene with Ankur in 1974, his brand of filmmaking became an instant model for a whole generation of directors wanting to break out of the formula mould.

Any other ‘Pran’ out there
The hunt is on for all the Prans of the world. Thanks to Pran's spectacular screen career, his name became synonymous with villainy, and to such an extent that in the decades following the 1960s, many believe, very few male babies were named Pran. Kuldip Dhiman writes about the character and the unique competition to find out how many other Prans are around.
I
t is the climax scene of Ram aur Shyam. Dilip Kumar is on the one end of the screen, presently Pran appears with a whip in his hand. There is a lull in the cinema hall.

Love tangles and triangles
M
ujhse Shaadi Karogi?
Akshay Kumar and Salman Khan ask Priyanka Chopra in tandem in the eponymous film. Quite a ‘marry’-go-round. In Abbas-Mustan’s Aetraaz, Akshay Kumar and Kareena Kapoor play a happily married couple under stress when Akshay’s boss at his place of work, Priyanka Chopra accuses him of rape after he turns down her sexual advances.

COLUMNS

'ART AND SOUL: Tapestries, past and present
B.N. Goswamy

TELEVISION
Spirited Sanjit


ULTA PULTA: Bizarre bans 
Jaspal Bhatti

HOLLYWOOD HUES: Catwoman a comedown 
Ervell E. Menezes

BRIDGE

BOOKS

Surrender in times of sickness
Hollywood traps Marquez

It’ll create waves
by Harsh Desai

The Hungry Tide
by Amitav Ghosh. Ravi Dayal, New Delhi. Pages 402. Rs 350.

Insightful worldview
by Sridhar K. Chari

Global Security Paradoxes 2000 to 2020
by Major General Vinod Saighal. Manas Publications. Pages 231. Rs 595.

Strictly conferential: Hyderabad writers’ meet
by Rumina Sethi

Bangla rebel’s fresh tirade
by Aradhika Sekhon

Selected Columns
by Taslima Nasreen. Shrishti, New Delhi. Pages 158. Rs 250.

The trailblazer tycoon
by Parshotam Mehra
(JRD’s intriguing & insightful letters)
Edited by Arvind Mambro. Rupa & Co. Pages 504. Rs 495.

signs and signatures
Playwright who challenged capitalism
by Darshan Singh Maini


short takes

  • Glimpses of a genius

  • JRD Tata: Keynote

hindi review
Heart of darkness
by Harbans Singh
Shikargaah
by Gianprakash Vivek. Bharatiya Jnanpith, New Delhi. Pages 155. Rs 120.

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