Sunday,
June 10, 2001
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The tendency has been to view Mumbai films on one end of a spectrum and films from the South on the other end. Happily, today, the barrier at least between Mumbai and Chennai is diminishing remarkably, a beginning perhaps of a larger breaking up of barriers, and a greater degree of intermingling between the film-makers, artistes, technicians, singers, musicians and choreographers of the Indian subcontinent, writes Surinder Malhi TRADITIONALLY,
India’s mainstream cinema has been identified essentially with Hindi
language films (Urdu appears to have become a thing of the past) and
also with the Tamil films of Chennai and the Telugu movies of Hyderabad.
In recent years, the Telugu production rate has even overtaken that of
the more highprofile Hindi cinema.
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