Thursday,
April 12, 2001, Chandigarh, India |
Trying times for Sunny Rani Hindustani
Bollywood Digest |
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Trying times for Sunny
After that, Sunny appeared in two films — Padam Kumar’s ‘Champion’ and Rajkumar Kanwar’s ‘Farz’. Both were ambitious projects, but somehow the timing of their release was not right. They continue to draw packed houses in Punjab, but elsewhere the films were a total washout. “It is very unfortunate that ‘Dillagi’ failed,” comments Padam Kumar. “In the first place, Sunny should not have taken to direction. But having done so, he should have immediately directed another film. That way, he could have corrected his image in the public eye.” Sunny’s abiding image has been one of an action hero — menacing, controlled and confident. He had cultivated this since the days of ‘Arjun’ and ‘Ghayal’ (1985-90) and when he won the national award for Rajkumar Santoshi’s ‘Damini’ in 1993, the image stuck. Since then, he has made the best of his persona with successive hits like N.R.Paschisia’s ‘Ziddi’ and Sajid Nadiadwala’s ‘Jeet,’ and at one stage had emerged as the highest-paid actor in Hindi films. Other action heroes like Akshay Kumar and Sunil Shetty had begun fading out by then. “He’s got this image of an action hero,” reiterates Kumar. “So when he did ‘Dilagi’, the audience found it hard to accept him. He looked like a man hopelessly in love. The film was no doubt good and at another time or even, with another actor, it would have done exceedingly well.” Agrees Kanwar: “The problem is that audiences want to see more of the action hero in Sunny than a romantic. This is rather unfortunate as he is such a brilliant actor and so versatile. This is exactly the same problem Govinda faces. He just can’t break free from his image of a buffoon.” Another problem, Kanwar feels, is that Sunny is not an “expressively fun-loving sort” like his father and brother. He is very cooperative on the sets, follows instructions like a schoolboy and can be a tiger on the screen. But after work, he is a very private person. “That is the most intriguing part,” says the director of ‘Farz’ “I have seen him behaving like a ten-year-old on outdoor shoots abroad. But once back home, he goes into a shell. He doesn’t believe in partying, socialising being seen or giving interviews to the media. That is bad PR for someone in films.” In ‘Farz’, Kanwar had cast Sunny as a ruthless police officer who “believes that crime is a disease and he is the only cure”. He describes this as an “action-oriented romantic film” with Mahima Choudhury playing his love interest. “Sunny should play more such roles in order to re-establish himself,” advises Kanwar.” It is wrong to imagine that action films don’t stand a change in front of soft, romantic and melody packed films. The Hindi film industry does not follow any trends. It is always the entertainment value that matters.” Padam Kumar however, feels that the day Sunny outgrows his “action hero image”, there will be no stopping him. He has already cut down on work and is very selective about what he does these days. Being out of the public eye for some time could well be the turning point in his career, he adds. |
Second time lucky?
Serious Sushmita
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