With devotion for Lakshmi
by
Preeti Bhutani
DIVALI, the glorious festival of
lamps, is the day when Lakshmi, the goddess of wealth, is
worshipped so that she may bestow on her devotees
prosperity, abundant crops and good fortune in the coming
year.
On this day, merchants and
traders worship their account books as it is their belief
that wealth arises due to goddess Lakshmis
blessings alone.
Shri-Sukta in Vedic
literature, which is a part of an appendix to Rigveda,
depicts goddess Lakshmi as moist and fertile,
perceptible through odour and abundant in harvest. She is
associated with growth and fecundity of rich soil.
Her association with
agricultural fertility becomes clear during the time of
Divali. During this time the farmers are ready to harvest
the crops, so they invoke the blessings of both Lakshmi,
the goddess of bounty and fertility, and Bali, the spirit
of vegetation. In South India and Orissa, cowdung is
worshipped because goddess Lakshmi has been known to
reside in cowdung.
In earlier Vedic texts the
goddess appears as Sri, which suggests beauty, glory and
ruling power of kings.
Her idols are rare but
pictures are found in almost all Indian homes. She is
radiant like gold and illustrious like the moon, has long
lustrous hair and from her palms streams of gold coins
fall into water at her feet. She is seated on the lotus
which itself is a symbol of fertility and the entire
cosmic creation. Secondly, it is a symbol of purity and
spiritual perfection. Thus Lakshmi combines both royal
and spiritual powers in her presence.
On Divali day new silver
coins and gold jewellery are worshipped as Lakshmi.
Divali puja ceremony includes anointing the puja room
with the images of tiny feet like inverted commas with a
silver coin in between. These are goddess Lakshmis
auspicious footprints which always lead inside towards
the storeroom, towards the trunks and boxes where the
familys wealth is stored.
Goddess Lakshmi did not
arise out of a parent but rose out during the churning of
milk ocean by the gods and demons seeking the elixir of
mortality (amrit).
In later Hindu texts,
goddess Lakshmi is associated with many male deities like
Bali, Soma, Dharma, Indra. She is Chanchala, the
restless one, and co-habits with only those who are
blessed with good fortune and promote her further. In
fact her reputation of fickleness changed only when she
got married to the powerful god Vishnu.
Indian women are
constantly looked upon as Ghar ki Lakshmi, which
implies that the women must have the qualities of a model
Hindu wife, passive, submissive, obedient and static. But
the true Lakshmi is anything but this. From the creator
of resources and the ever mobile one, she is transformed
slowly into an obedient wife who is the model of
righteous conduct and correct social observance. Her
submissive position becomes clear in Badami paintings
where she sits on the ground but her lord reclines on a
high stool.
In Panchatantra school
lord Vishnu delegates the central role of creation of the
universe to Lakshmi and goes to sleep. Lakshmi becomes
the Shakti of Vishnu the dispenser of grace
and bestower of liberation of souls. Although in
Vaishnava school Lakshmi does not play the central
cosmological role, she acts as mediating presence between
the devotee and lord Vishnu. She also resorts to
distracting lord Vishnu from his intention of punishing a
devotee by enticing him with her beauty.
She may thus embody divine
compassion but also acts as a jealous wife when lord
Vishnu goes off with another consort, and she in anger
breaks his vehicle and locks him out of their home.
Goddess Lakshmi stays with
only those who can retain her. She, the goddess of wealth
and fertility, has no children and, therefore, does not
look favourably at inheritance of wealth.
On Divali day, goddess
Lakshmi is worshipped with Kubera, the lord of Yakshas,
who is the possessor and guardian of earths
treasures. After performing the worship of goddess
Lakshmi, the expulsion of Akashmi, the female spirit
associated with bad luck and poverty, is done by lighting
lamps and beating winnowing baskets, pans and drums.
In North India images of
Ganesha and Lakshmi are revered during Divali puja. The
associating of Lakshmi and elephant headed Ganesha is
continuation of Gaja-Lakshmi images where white elephants
shower her with water. Ganesha is also a Yaksha type of
figure associated with wealth, good luck and new
beginnings.
During this time the
ghosts of the dead return. Bali, a demon, comes out from
the underworld for three days. People illuminate their
houses with the belief that the lighting of lamps would
make Lakshmi stable in their homes. Profligate spending
and boisterous gambling are advised because those who
indulge in it please goddess Lakshmi.
She imbues creatures with
lustre and well-being and, therefore, who can be the
presiding deity of this festival of lights, but Sri
Lakshmi?
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